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[We open on Gio and Sherry in a panic, trying to explain to Peorth that Belldandy and Keiichi are at the Academy. Peorth is keeping Gio and Sherry from falling to pieces and succeeding, more or less.]
Keiichi: Oh, man, what’d we do?
( Sting, Debbie Reynolds, and God(dess) )
***
( Luke Rockhold! )
***
Gio: Alright! Looks like we’re closin’ in on the home stretch of this. Two more chapters and that’s all she wrote.
Sherry: Say, before we continue, I wanted to bring it up again.
Gio: Bring what up again?
Sherry: That thing that’s been bothering me…well, let me be blunt: Captain Future can’t really be this goofy, can it? This stuff seems like the silliest sci-fi on Earth! How does a pulp series like this survive World War II, get adapted twice in Japan in the span of 15 years, and then get a fully-endorsed revival by Allen Steele just a few years ago? It had to have been good first, right?
Peorth: I believe you have something to research after all. Go into the archives, then tell me what you think.
Keiichi: Oh, man, what’d we do?
( Sting, Debbie Reynolds, and God(dess) )
***
( Luke Rockhold! )
***
Gio: Alright! Looks like we’re closin’ in on the home stretch of this. Two more chapters and that’s all she wrote.
Sherry: Say, before we continue, I wanted to bring it up again.
Gio: Bring what up again?
Sherry: That thing that’s been bothering me…well, let me be blunt: Captain Future can’t really be this goofy, can it? This stuff seems like the silliest sci-fi on Earth! How does a pulp series like this survive World War II, get adapted twice in Japan in the span of 15 years, and then get a fully-endorsed revival by Allen Steele just a few years ago? It had to have been good first, right?
Peorth: I believe you have something to research after all. Go into the archives, then tell me what you think.